The thundering Overture sets the show off into a great whirlwind of excitement, and the show lives up to all of the hype associated with it. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). Far better than the film version. I will agree though on one thing. That said, it did take some time for me to get to "know" the central characters - so to speak - but we were in the Upper Circle and I think you always get wrapped-up in things a lot quicker when sat down in the Stalls. The supporting cast were fairly anonymous too. ** 'First Cover' the first choice actor to take a lead role in case of another's illness. The venues unpredictability is a large part of its charm. Beware of their Best Available Seats offer. During one of the pastiche opera sequences the high notes of the 'Prima Donna' threatened to bring the chandelier down without the help of the Phantom. I feel sorry for anyone who has the misfortune to experience this particular Phantom. Book London Theatre Week The Phantom of the Opera tickets in London on TodayTix. Also being further back meant I didn't have to look from side to side when the action was spread out, and I didn't have to look almost straight upwards trying to glimpse the Phantom in the chandelier. 2 March 2023. This is a really great and unique show which will probably never be matched. It started as soon as I entered the theatre; it was a lovely, grand and majestic theatre - it made you feel like you were in the Paris Opera House. Managed to get 3 tickets in the stalls row M, seats 20,21,22 - checked out this guide and thought fair value was acceptable. The seats looked quite new and were very comfy. Stalls seats are on the ground level of the theatre. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. Do not believe the hype, this show may be in its 21st year, but that is surely musical retirement age. I had expectations aplenty of the show, giving its 18-year run in the West End. But then I found your website, and spent over an hour reading anything and everything Phantom-related, and so it were that yesterday we stood for all of 45 minutes outside Her Majesty's Theatre, and got ourselves two tickets for the matinee, in the 4th row (stalls!) I first saw this magnificent production in December 2004 and in May 2006 will be seeing it again for the 4th time. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Our Valentines celebration was ruined by a) the restricted view we had from our seats on the back row of the Royal Circle - H17 and H18 and b) the intolerable heat. Obviously the restricted ones have their downfalls but at least you know that in advance. For a first time goer I would recommend a seat further back but for someone who has seen the show at least once before it is absolutely perfect! I cannot recommend this show enough, and we will all definitely be going again. 13 February - 2 March 2023. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. Phantom of the Opera, 07Jul2016, Whichseats.com is not affiliated to show producers or theatre owners. The very back of the balcony is a long way away, and can make even the biggest shows seem remote. Sofia Escobar and John Owen-Jones were incredible as the two leads, both with a combination of astonishingly good voices and great acting. Tracy (35), Simon (35) and son Chris (18) McCanns Phantom has a depth and dimension beyond Johnsons shallow review. I just ignored him, because if I had lent back half the cast would have been beheaded by the bar. I went to see this on Monday 5th January 2009, my first visit. When I arrived home to look at the cast list I thought Rachel Barrell was an understudy for the understudy. Fantastic show! Ciara Hemming. ( We wish we had seen our fellow Welshman John Owen-Jones to compare). You must see this show, at least once!!!!! This is the fourth time I have seen Theatremonkey's favourite show! Stalls section A row 12 seat aimeereynolds Her Majesty's Theatre The Phantom Of The Opera Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. I wish this cast all the best for the rest of their contract, and I hope to see it again soon. But towards the end of Act 1, in the 'All I Ask Of You' reprise he seemed to lose his way. I would most definitely book these seats again. Needless to say when we see this production again Mr. Owen-Jones has a lot of convincing to do. Nat Keyskeys2494@yahoo.com ____________________________, I was disappointed when I found out the main actor would not be playing the phantom. I think all the seats in the stalls at both sides at the back will be the same. I was very shocked to read Paul Johnsons review of Phantom, notably his opinion/attack on Mr McCann. My view was very good. Over all, an excellent afternoon's entertainment, especially as we had only paid 33.00 for our seats as part of a group discount." I left the theatre feeling like I'd just witnessed a show that was easy to see quite why it's been so successful, and I surprisingly had a new appreciation for much of the music - that, until Friday, wasn't particularly appealing to me. However, make sure you see Celia Graham as Christine when you book this show. I was sitting front row centre (B13 and 14) and found these seats to be very good, experiencing no problems at all. I just wanted to tell you that your site made an already great week in London positively awesome! I shall focus on my experience with buying the tickets, rather than the show itself (which was obviously outstandingly amazing!!!) How he got such a prestigious part is way beyond me! Enter the email address you signed up with and we'll email you a reset link. Not a FOH person to be seen when this was going on. It made Fame look infamous and Cats look run over! I hoped, given the intermission, he would have time to recover - but it was as if he had given up. I really did have an excellent time and I would want to see it again. A child near to me was given a cushion but still had problems seeing properly. My friend who came with me has bought me the CD of the show so I can sit on this computer and drift back in my mind to that memorable Saturday afternoon matinee 2 week's ago. It's no longer a big universe with lots of little characters, it's a small universe with a few big characters. In fact, I think it's far preferable to have a ledge/bar below the view of the stage, than be behind a row of people who could be more of an obstruction. Swansea The tyranny of distance is lessened in the back of the stalls and dress circle thanks to the refurbishment, but depending on the scale of the production currently playing, you may wish to avoid the nosebleed sections if you want the best view in the house. The material has been carefully compared He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. Overall I loved it and found it very enjoyable, and I would recommend it. Earl Carpenter as the Phantom was rather subdued and didn't have the edge of menace I felt he should have had. Oliver Thornton as Raoul was also weak but I found his character unbelievable anyway and the love affair didn't engage my emotions at all. Almost central, four rows from the front, right under the chandelier and with plenty of legroom for my 6ft 2ins frame. Saw this show on the 28th December 2006, with Celia Graham as Christine, Earl Carpenter as the Phantom and Michael Xavier as Raoul. It only emphasis's the passion! !! The actor who played the Phantom could not be faulted. His Majesty's Theatre. Result! If tickets are marked as an obstructed or limited view, the venue has determined that those seats do not have a full view of the stage, field, court, ice, etc. Couldnt have asked for a better first experience of The Phantom of the Opera. Not only this but the heat in our seats was intolerable. She is superb. I was in the Grand Circle in seat F21. His voice is superb and he really made the show. I "didn't get" that the old guy bidding for the music box was actually Raoul and I think if ever I watched this again it would have more impact as I did enjoy the unusual opening to the show. Firstly, I should say that our seats were perfect. A small queue formed behind us from about 9.30am, and at 10am, the doors opened and we were first to the box office window. I think all the seats in the stalls at both sides at the back will be the same. On taking our seats we could not help but notice how impressive the set looked even pre-show. The music is very enjoyable and much more familiar than I expected. My main problem is that the music is boring. Thechandelier was amazing and just above our heads and I felt like I could almost touch it when it flew in front of me at the beginning of act one! He seems to live the role and somehow seems to keep him fresh every time I've seen it. I've seen it numerous times and I particularly wanted to see it this time as John Owen Jones is ending his reign at the end of January 2016. From Monday 3rd April 2023, Jon Robyns will playThe Phantom and Holly-Anne Hullwill playChristine Daae - with Paige Blankson playing the role at certain performances. We bought tickets for the show on-line, based on theatremonkey.coms comments. although we are both over 6ft tall, which no doubt helped. The other seats are also restricted view, but this is worse. Sitting anywhere else in this row, I would have had to change seats, as I physically wouldn't have been able to last the duration of the performance (34inch legs) Thankfully, the overwhelming performance and amazing view made me quickly forget about the leg room, but feel this should be mentioned when you buy the tickets. __________________, I was visiting London from the US July 25 2005, and luckily procured fantastic tickets for Phantom of the Opera. We had Stalls G 1 and 2. But inside those venues, not all seats are created equal. Why? On my first viewing (from the Upper Circle) I remember being amazed when the rows of candles appeared for the Music of The Night scene, but from row C this effect is muted, also the cloud which is so effective from further away obscures the action I reckon rows G and H would be much better, or probably the main green area of the Dress Circle. . The cream of the crop, however, is anywhere fairly central up to row J in the stalls though the first two rows of the dress circle aren't bad either. I thought that after hearing the original cast on my CD so many times I would be disappointed but Iwasn't. Terrible sightlines and no legroom. Front row, very close to the orchestra pit so not much legroom at all. I'm glad I saw the show, just so I could see what the fuss was all about, but it does confuse me as to why it's so popular. Was interesting watching other people not knowing where the Phantom was speaking from - but if you knew where to look you had no issues seeing him. M All the principles were on, which was great for me. D13 & 14 Fantastic seats. ________________________. ____________________. E-Book Overview. She even lip-synced the duet 'Phantom of the Opera' because suddenly her voice was completely different. They should have switched roles. ____________________________. As for his voice, I don't see how some can say it's weak. _____________________, After waiting over 20 years to see 'Phantom' I finally made it over to the West End last week (10th September 2008). I will say it is hard to decide where the good seats are. My cousin is only 5'5" and she said there was not much leg room either. From my angle I couldnt see the orchestra pit so I actually didnt even know there was a live orchestra playing until after the curtain came down and there was a bunch of people clustered around the railing at Stalls level and I went over to have a look - this discovery then added to my awe of the show. As I mentioned this is not my kind of thing, but this is a MUST see for anyone, even if they think it is not 'up their street'. You lost the very front left corner if you sat right back, that was all. >My mum and I sat in seats 18 and 19 of row A in the Upper Circle. As per usual, Row B suffers from your view being spoilt if people in front lean over; I found myself envying the people sat in the central section in Row A as they paid the same price as me but are great seats. The Musical which brought the dress circle forward, making it a pretty good location if you want to take in the production's set. Having booked these seats relatively cheaply during Kids Week (summer promotion - editor) I was very happy to then read previous Theatre Monkey reviewers giving them the thumbs up . !LONG MAY PHANTOM RUN!!! Also its right by the door so you can make a quick exit." But it's easily manageable, and the compensation is that it's a good and comfortable distance from the actors. Christine was one of the only redeeming qualities. At full price, I would have preferred to have been one or two rows further back and a little closer to the centre, but as a TKTS purchase this was absolutely brilliant value. Finally the performances, I would say John Owen Jones is one of the finest Phantom's of them all, easily outstripping Michael Crawford vocally. This was the first time either of us had seen this. It was my first time to see it and thanks to theatremonkey, I got a full-priced ticket less 20! Try to understand the show before you slate it people! The only understudy was Christine Daae which was played by Tabitha Webb. I would not recomend the seat for first time watching, but for a repeat visitor it's aceptable. ___________________________. ), after reading a few reviews about 'Raoul' being a bit drippy in a few performances I was expecting to hate whoever played him but was more than pleasantly surprised when Simon Bailey appeared. The seats are so close together I was basically cuddling strangers, and there was absolutely no room for anyone to walk past you down the row, forcing everyone to have to stand up and get out of their seat any time someone needed to get by. There are some poles in the way and as has been said below the view can be blocked by the balcony above. _______________________________________________. __________________________________, October 3rd 2016. A feature of the performance I'd never really been forced to consider before in the theatre was the amplification of the singers. Phantom's 23 years have led to it becoming stagnant. It would seem this row has been made smaller due to the premium seats in front of it, but having the asile seat meant I could stretch my legs out fully was the only saving grace. Restricted View Seats Often, the view isnt as bad as it sounds like on paper, and so buying these seats are very much worth it. The big disappointment was Katie Knight Adams, I have never seen someone sing and act so badly on stage (and I have seen many shows). I had totally forgotten the background story (of course I knew the Phantom/Christine bit) and so it was like watching it all for the first time. Didn't know the storyline beforehand and found the second half a little confusing. I asked at box office at 14.15hrs. This was incredibly disappointing too. We were generally happy with the seats - but they should be clearly identified as "Restricted," as my aisle seat (and much more so the seat next to me), often had a blocked view of the performance, especially when the action was Stage Right. I hope to see Brian reprising the role in the future as Phantom himself, and not as his understudy. *** 'Alternate' An actor assigned to play a lead role on fixed dates when the lead actor is absent either on holiday or taking a 'rest' day each week.) We paid 40 + booking fee for Seats B27 and 28 in the Grand Circle, and whilst I'd never usually choose seats this high-up, I'd read on good authority (i.e. Sitting in the dress circle can allow you to feel immersed in the action of whats on stage, but you are able to sit from a height so you can appreciate whats going on at all levels, something which you may miss if you are sitting in the stalls. We sat in the stalls row G seats 15 to 18 (GREEN on the Monkey's plan). Despite no warnings during the booking we had purchased seats with a restricted view behind a pillar. The Merlyns worst seats are really not that bad, and certainly shouldnt put you off if theyre the last ones left. Slight block from the right and left side of the stage depending on which side your seats are on. Earl gives the best performance of The Phantom I have ever seen and heard. Ben Lewis was good, but perhaps not the strongest Phantom I've caught - but certainly one of the better ones. I am 5' 11" tall and my knees where jammed against the seat in front. The walkway down to the Phantom's lair was a really slick and effective trick, and had you believing they were really walking downwards. A Front of House man (who had been entertaining us with his witty banter earlier) raced to the row and told them to move back to their own seats but they didn't. Breakthrough. If you continue to use this site we will assume that you are happy with it. Wednesday and Saturday at 2.30pm and 7.30pm. Premium seats She was fabulously camp and over the top, as any good diva should be. Revenue impacts the experiences featured on this page, Too hot and not enough rake in the Royal Circle. I was so close I could easily see the microphones of the performers. This is a show well worth seeing, for boyfriends, girlfriends, no friends or even just for an ordinary theatre night out. Live and let live! 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